Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Abate, Gianantonio ; Arico, Rodolfo ; Boetti, Alighiero ; Calzolari, Pier Paolo ; Castellani, Enrico ; Ceccobelli, Bruno ; Ceroli, Mario ; Colombo, Gianni ; d'Augusta, Vittorio ; De Maria, Nicola ; Galliani, Omar ; Gastini, Marco ; Griffa, Giorgio ; Jori, Marcello ; Mainolfi, Luigi ; Manai, Piero ; etc.

Art --- art [fine art] --- anno 1900-1999 --- Italy --- Italië --- Art, Italian --- art [discipline]

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Art, Italian --- Painting, Italian --- Conceptual art --- Art italien --- Peinture italienne --- Art conceptuel --- Exhibitions --- Expositions --- Cucchi, Enzo --- Criticism and interpretation --- Exhibitions. --- Criticism and interpretation.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Norm and Form is the first volume of E.H. Gombrich's highly influential collected contributions to the study of Renaissance art and thought. Its 11 essays deal with some of the most fundamental questions of style, patronage, taste, working methods and theories of art, presented with the author's customary learning and lucidity. Required reading for all students of the Renaissance, these essays are sure to be enjoyed by all who wish to deepen their understanding of one of the most creative periods of Western art.In this second volume of his classic essays on the Renaissance, E H Gombrich focuses on a theme of central importance: visual symbolism. He opens with a searching introduction ('The Aims and Limits of Iconology'), and follows with detailed studies of Botticelli, Mantegna, Raphael, Poussin and others. The volume concludes with an extended study of the philosophies of symbolism, demonstrating that the ideas which preoccupied the philosophers of the Renaissance are still very much alive today.Like its predecessor, Norm and Form, this volume is indispensable for all students of Renaissance art and thought as a work that has itself helped to shape the evolving discipline of art history. Reflecting the author's abiding concern with standards, values and problems of method, it also has a wider interest as an introduction to the fundamental questions involved in the interpretation of images.The third volume of E H Gombrich's seminal essays on the Renaissance has the classical tradition as its central theme. Apelles, the most famous painter of ancient Greece, was said to have combined perfect beauty with supreme skill in imitating the appearances of nature. These twin ideals of perfect beauty and perfect imitation of nature, which were inherited from classical antiquity and remained unchallenged as the cornerstone of art until the twentieth century, form the starting-point for these learned and always stimulating essays. Whether discussing the rendering of light and lustre, the working methods of Leonardo da Vinci or the principles of criticism, the author's analyses and interpretations are underpinned by a deep conviction that, despite the apparent abandonment of the Renaissance ideals in the twentieth century, questions about traditions, values and standards are still of fundamental importance. This wider concern gives these essays a continuing vitality, not only for students but also for anyone interested in art and culture.The concluding volume of the series looks afresh at some of the greatest masters, including Giotto, Leonardo, Raphael and Michelangelo Original, lucid and undogmatic in their approach to methods, these essays are models of good art-historical writing As a series, Gombrich on the Renaissance represents a vitally important humanistic tradition in scholarship and criticism

Kunsttheorie ; E.H. Gombrich over de Renaissance --- Kunstgeschiedenis ; Renaissance. Barok. Rococo --- Kunst ; theorie, filosofie, esthetica --- Aesthetics --- anno 1400-1499 --- anno 1500-1599 --- Art --- Philosophy --- Gombrich, Ernst Hans --- Criticism and interpretation --- 700.6 --- 705.4 --- 7.034 --- 7.01 --- Art, High Renaissance --- Art, Italian --- Art, Renaissance --- Art, Italian. --- Composition (Art) --- High Renaissance --- Aesthetics of art

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

art [fine art] --- Art styles --- Transavanguardia --- Art --- Paladino, Mimmo --- Maria, de, Nicola --- Cucchi, Enzo --- Chia, Sandro --- Clemente, Francesco --- anno 1900-1999 --- anno 1980-1989 --- Italy --- De Maria, Nicola --- Art, Italian --- -Italian art --- Bamboccianti (Group of artists) --- Corrente (Group of artists) --- Cracking Art (Group of artists) --- Fronte nuovo delle arti (Group of artists) --- Geometria e ricerca (Group of artists) --- Girasole (Group of artists) --- Gruppo 1 (Group of artists) --- Gruppo Aniconismo dialettico (Group of artists) --- Gruppo di Como (Group of artists) --- Gruppo di Scicli (Group of artists) --- Gruppo Enne (Group of artists) --- Gruppo Forma uno (Group of artists) --- Italiens de Paris (Group of artists) --- Mutus Liber (Group of artists) --- Novecento italiano (Group of artists) --- Nuovi-nuovi (Group of artists) --- Origine (Group of artists) --- Sei pittori di Torino (Group of artists) --- Transvisionismo (Group of artists) --- -Art, Italian --- Trans-avantgarde --- art [discipline]

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Art --- anno 1800-1999 --- Belgium --- Italy --- Artists --- Art, Belgian --- Art, Italian --- Prix de Rome --- Artistes --- Art belge --- Art italien --- Travel --- Voyages --- Belgians --- Expatriate artists --- History --- italianisanten --- Prijs van Rome --- geschiedenis --- 1830 - 1914 --- 19de eeuw --- 20ste eeuw --- België --- Italië --- 7 <09> --- invloedssfeer (x) --- interactie (x) --- C3 --- kunstenaars --- Italia [land - IT] --- België [land - BE] --- 19de eeuw (x) --- 1900-1914 (x) --- cultuur --- BPB0605 --- 709.493 --- 709.034 --- Kunstgeschiedenis. Kunsthistorie --- Kunst en cultuur --- Arts Europe Belgium --- Arts 19th century (1800 -1900) --- 7 <09> Kunstgeschiedenis. Kunsthistorie --- Artists, Expatriate --- Exiled artists --- Exiles --- Ethnology --- Persons --- Belgian art --- Sint-Martens-Latem (Group of artists) --- XX (Group of artists) --- Zwarte Panter (Group of artists) --- Art, Belgian - Italy - 19th century --- Art, Belgian - Italy - 20th century --- Expatriate artists - Italy --- Artists - Belgium --- Belgians - Italy - History - 19th century --- Belgians - Italy - History - 20th century --- Artistes belges --- Italie --- 19e-20e siecles --- italianisanten. --- Prijs van Rome. --- geschiedenis. --- 1830 - 1914. --- 19de eeuw. --- 20ste eeuw. --- België. --- Italië.